{"id":3358,"date":"2022-11-17T17:01:39","date_gmt":"2022-11-17T17:01:39","guid":{"rendered":"https:\/\/soc.hamiltonlits.org\/sharingsociology\/?page_id=3358"},"modified":"2022-11-18T20:09:54","modified_gmt":"2022-11-18T20:09:54","slug":"dialogues-across-disciplines","status":"publish","type":"page","link":"https:\/\/soc.hamiltonlits.org\/sharingsociology\/dialogues-across-disciplines\/","title":{"rendered":"Dialogues Across Disciplines"},"content":{"rendered":"\n

Fall 2022 & Spring 2023<\/h3>\n\n\n\n
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Yun-Fei Ji (Chinese, b. 1963)
The Three Gorges Dam Migration<\/em>, 2009
Hand-printed watercolor woodblock mounted on paper and silk
Purchase, William G. Roehrick \u201934 Art Acquisition and Preservation Fund<\/p>\n\n\n\n

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Dialogues Across Disciplines<\/em> celebrates the ten year anniversary of the Ruth and Elmer Wellin Museum of Art. Featuring a selection of artworks acquired through gifts and purchases over the last decade, the exhibition highlights the museum\u2019s ongoing commitment to building a globally representative collection that is reflective of the academic and cultural richness of Hamilton College. <\/strong><\/p>\n\n\n\n

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Nicola L\u00f3pez (American, b. 1975)
Tattered Sunset, from the series \u201cSunsets and Blue Skies,\u201d<\/em> 2018
Sugarlift with inkjet print, chine coll\u00e9, and laser engraving, 20 1\u20442 \u00d7 17 7\u20448 in. (52.1 \u00d7 45.4 cm)
Purchase, The Edward W. Root Class of 1905 Memorial Art Purchase Fund (2019.7.2)<\/p>\n<\/div><\/div>\n\n\n\n

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Featuring over 7,000 works of art and artifacts\u20142,000 of which have been acquired since the Wellin was established in 2012\u2014the Wellin\u2019s collection represents a broad range of cultures, historical periods, artistic practices and movements. As a teaching museum, the Wellin has worked to activate its holdings to engage the curiosity of students, faculty, staff, and the community, and advance interdisciplinary learning by introducing new ideas and perspectives to classroom conversations. <\/strong><\/p>\n\n\n\n

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Priya Kambli (Indian, b. 1975)
Me (Flour)<\/em>, 2009
Archival inkjet print, 11 \u00d7 14 in (27.9 \u00d7 35.6 cm)
Purchase, The Wynant J. Williams \u201935 Art Collection Fund (2020.8.28)<\/p>\n\n\n\n

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The works included in this exhibition mirror Hamilton\u2019s liberal arts mission more broadly by highlighting a plurality of voices and viewpoints using art as a means of addressing subjects relevant to a range of disciplines from the humanities to the sciences. To foreground this, members of the Hamilton community have been invited to lend their personal and expert perspectives by writing texts to accompany the artworks on display. <\/strong><\/p>\n\n\n\n

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“In Romero\u2019s Naomi<\/strong>, the figure wears her traditional dance regalia and smokey-eye makeup, signifying that she is not set in the past or should be depicted as unchanging with time. The hot pink of the box and the black-and-white triangular border simultaneously put Naomi in a doll-box aesthetic, set her in \u201ccontemporary\u201d times, and act as important signifiers to the Northern Chumash tribe and to Naomi as a woman. According to Romero in a 2019 interview with ESMoA\u2014a self-described \u201cart laboratory\u201d located in El Segundo, California\u2014the color combination of hot pink, black, and white have a \u201cCalifornia vibe,\u201d which is appropriate for the Northern Chumash tribe of San Luis Obispo County in California, while the triangular border pattern is a reference to the importance of pinecones to this group.”
<\/em>
label excerpt written by
\u2014Jane Jeong, Class of 2025<\/p>\n<\/div>

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Cara Romero (Chemehuevi, b. 1977)
Naomi<\/em>, 2018
Archival pigment print, 50 5\u20448 \u00d7 43 15\/16 in. (128.6 \u00d7 111.6 cm)
Purchase, William G. Roehrick \u201934 Art Acquisition and Preservation Fund (2021.7.2)<\/p>\n\n\n\n

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This collaboration both deepens our understanding of individual works, but also underscores how the active participation of faculty, students, staff, and administrators enrich the collection and bring the artworks to life.<\/strong><\/p>\n\n\n\n

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Cara Romero (Chemehuevi, b. 1977)
Julia<\/em>, 2018
Archival pigment print, 50 \u00d7 40 in. (127 \u00d7 101.6 cm)
Purchase, William G. Roehrick \u201934 Art Acquisition and Preservation Fund (2021.7.1)<\/p>\n<\/div><\/div>\n\n\n\n

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To spark responses to the themes in the exhibition, educational prompts are situated throughout the gallery interspersed between artworks highlighting the interrelationship between the curatorial and education aspects of the museum.<\/strong><\/p>\n\n\n\n

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Umar Rashid (Frohawk Two Feathers) (American, b. 1976)
They Already Got Yo Kids (\u201cTricked my wisdom with the system that imprisoned my son\u201d)<\/em>, 2013
Acrylic, ink, coffee, and tea on paper, 43 1\/2 \u00d7 30 1\/2 in. (110.5 \u00d7 77.5 cm)
Purchase, William G. Roehrick \u201934 Art Acquisition and Preservation Fund (2013.2)<\/p>\n<\/div>

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Artists featured in the exhibition include Berenice Abbott, Firelei B\u00e1ez, Romare Bearden, Ilse Bing, Rhona Bitner, Akea Brionne, Charles Burchfield, Ren\u00e9 Burri, Margarita Cabrera, Sang-ah Choi, Mark Citret, Larry Colwell, Gerald Cyrus, Yvan Dalain, W.E. Dassonville, Edwin Dickinson, Francesca DiMattio, Mike Disfarmer, David Driskell, Judith Eisler, Liat Elbling, Chris Enos, Spencer Finch, Bisson Fr\u00e8res, Jason Fulford, Jeffrey Gibson, Burt Glinn, Marion Greenwood, Karen Hampton, Dont\u00e9 K. Hayes, Ken Haymen, Hock E Aye Vi Edgar Heap of Birds, Candida H\u00f6fer, Katushika Hokusai, Henry Horenstein, Walter Iooss, Julia Jacquette, Yun-Fei Ji, Priya Kambli, Clarence Kennedy, Yashua Klos, Utagawa Kuniyoshi, Jacob Lawrence, Deanna Lawson, Nate Lewis, Sharon Lockhart, Nicola L\u00f3pez, Louis Lozowick, Roberto Lugo, Danny Lyon, \u00c9dourd Manet, Julian Martinez, Maria Poveka Martinez, Christine Nofchissey McHorse, Joel Meyerowitz, Jean-Fran\u00e7ois Millet, Inge Morath, Wright Morris, Ray Mortenson, Eamon Ore-Giron, Bill Owens, Elizabeth Peak, Margaret Rhodes Peattie, Beverly Pepper, Howardena Pindell, Al H. Q\u00f6yawayma, Michael Rakowitz, Umar Rashid (Frohawk Two Feathers), Wendy Red Star, Marc Riboud, Jamea Richmond-Edwards, Cara Romero, Arthur Rothstein, Casey Ruble, Ursula von Rydingsvard, Allison Saar, Ibrahim Said, Collier Schorr, Charles T. Scowen, Jamel Shabazz, Yinka Shonibare MBE, RA, Alyson Shotz, Elias Sime, Laurie Simmons, Dayanita Singh, Erika Stone, Jason Stopa, Lou Stoumen, Ren\u00e9e Stout, Judith Taylor, Toyen, Giuseppe Vasi, Barbara Walker MBE, Sidney Waugh, Dyani White Hawk, Dorothy Wilding, and Letha Wilson.<\/strong><\/p>\n\n\n\n

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\n","protected":false},"excerpt":{"rendered":"

Fall 2022 & Spring 2023 Yun-Fei Ji (Chinese, b. 1963)The Three Gorges Dam Migration, 2009Hand-printed watercolor woodblock mounted on paper and silkPurchase, William G. Roehrick \u201934 Art Acquisition and Preservation Fund Dialogues Across Disciplines celebrates the ten year anniversary of the Ruth and Elmer Wellin Museum of Art. Featuring a selection of artworks acquired through gifts […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-3358","page","type-page","status-publish","hentry"],"yoast_head":"\nDialogues Across Disciplines - Sharing Sociology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soc.hamiltonlits.org\/sharingsociology\/dialogues-across-disciplines\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Dialogues Across Disciplines - Sharing Sociology\" \/>\n<meta property=\"og:description\" content=\"Fall 2022 & Spring 2023 Yun-Fei Ji (Chinese, b. 1963)The Three Gorges Dam Migration, 2009Hand-printed watercolor woodblock mounted on paper and silkPurchase, William G. 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