{"id":23,"date":"2020-03-06T16:28:36","date_gmt":"2020-03-06T16:28:36","guid":{"rendered":"https:\/\/soc.hamiltonlits.org\/sharingsociology\/?page_id=23"},"modified":"2022-05-04T16:48:51","modified_gmt":"2022-05-04T16:48:51","slug":"artists","status":"publish","type":"page","link":"https:\/\/soc.hamiltonlits.org\/sharingsociology\/artists\/","title":{"rendered":"SUM Artists: Visual Diagrams & Systems-Based Explorations"},"content":{"rendered":"\n

Spring 2020<\/h3>\n\n\n\n
<\/div>\n\n\n\n

The students were particularly inspired by the following pieces at the 2020 Wellin SUM exhibit<\/a>. These pieces opened their eyes to the many ways in which elements of social systems can be visually represented in creative ways through different fonts, graphs, maps, collages, annotated images, and other media. <\/p>\n\n\n\n

Jennifer Dalton<\/h3>\n\n\n\n
\"\"<\/figure>
\n

To Whose Opinions Am I Listening?<\/em>, 2011
Acrylic and pencil on paper
Courtesy of the artist and Charlie James Gallery, Los Angeles<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Mary Beth Edelson<\/h3>\n\n\n\n
\"\"<\/figure>
\n

Some Living American Women\/Last Supper<\/em>, 1972
Hand-colored and stamped offset print
Collection of the Deleget Martinez Family<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

RYAN! Elizabeth Feddersen<\/h3>\n\n\n\n
\"\"<\/figure>
\n

Kill the Indian, Save the Man<\/em>, 2017
Mixed-media installation (vinyl, thermoch\u00ad\u00ad\u00adromic ink, and charting tape)
Courtesy of the artist<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Daniel Feral<\/h3>\n\n\n\n
\"\"<\/figure>
\n

The Feral Diagram on Graffiti and Street Art<\/em>, 2011
Offset lithograph
Collection of the Deleget Martinez Family<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Guerrilla Girls<\/h3>\n\n\n\n
\"Displays<\/figure>
\n

How Many Women Had One-Person Exhibitions at NYC Museums Last Year?, 1985
Offset lithograph
Courtesy of the Guerrilla Girls<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>
\n

Guerrilla Girls’ 1986 Report Card<\/em>, 1986
Offset lithograph
Courtesy of the Guerrilla Girls<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\"Displays<\/figure>
\n

Women in America Earn Only 2\/3 of What Men Do<\/em>, 1985
Offset lithograph, 17 x 22 in. (43.2 x 55.9 cm)
Courtesy of the Guerrilla Girls<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\"Displays<\/figure>
\n

Only 4 Commercial Galleries in N.Y. Show Black Women<\/em>, 1986
Offset lithograph
Courtesy of the Guerrilla Girls<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Loren Munk<\/h2>\n\n\n\n
\"Displays<\/figure>
\n

The East Village 1979-1989<\/em>, 2011\u201313
Oil on linen
Courtesy of the artist<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

John O\u2019Connor<\/h2>\n\n\n\n
\"Displays<\/figure>
\n

Psychopath<\/em>, 2013
Colored pencil and graphite on paper
Courtesy of the artist and Pierogi Gallery, New York<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Wendy Red Star<\/h2>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

1880 Crow Peace Delegation<\/em>, 2014
Five archival pigment prints from a series of ten
Courtesy of the artist<\/p>\n\n\n\n

<\/div>\n\n\n\n

Faith Ringgold<\/h2>\n\n\n\n
\"\"<\/figure>
\n

United States of Attica<\/em>, 1972
Offset lithograph
Courtesy of the artist and ACA Galleries, New York<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Dread Scott<\/strong><\/h2>\n\n\n\n
\"Displays<\/figure>
\n

#WhileBlac, <\/em>2018
Diptych of two screenprints
Courtesy of the artist<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Ward Shelley<\/strong><\/h2>\n\n\n\n
\"Displays<\/figure>
\n

Addendum to Alfred Barr, Extended Narrative V.2<\/em>, 2019
Acrylic and toner on Mylar
Courtesy of the artist and Pierogi Gallery, New York<\/p>\n<\/div><\/div>\n\n\n\n

\"Displays<\/figure>
\n

Who Invented the Avant Garde, Redux V. 1, 2019
Acrylic and toner on Mylar
Courtesy of the artist and Pierogi Gallery, New York<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Batia Suter<\/strong><\/strong><\/h2>\n\n\n\n
\"\"<\/figure>
\n

Parallel Encyclopedia #2<\/em>, 2018
Book
Published by Roma Publications, Amsterdam, the Netherlands<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\"\"<\/figure>
\n

Parallel Encyclopedia #2<\/em>, 2018
continued<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

Massimo Vignelli (Italian, 1931\u20132014), with Joan Charysyn and Bob Noorda of Unimark International Corporation<\/strong><\/strong><\/h2>\n\n\n\n
\"Displays<\/figure>
\n

New York City Subway Guide<\/em>, 1972
Offset lithograph
Published by the Metropolitan Transportation Authority Collection of the Deleget Martinez Family<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n

John Zinsser<\/h2>\n\n\n\n
\"Displays<\/figure>
\n

David Zwirner \/ Carol Greene \/ Art Basel Miami Beach<\/em>, from the series \u201cThe Aviary,\u201d 2016
Graphite on paper<\/p>\n<\/div><\/div>\n\n\n\n

<\/div>\n\n\n\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n<\/figure>\n\n\n\n

Marcia Hafif Chronology<\/em>, 2015
Graphite on bristol, three pages<\/p>\n\n\n\n

<\/div>\n\n\n\n

Sebastian C. Adams<\/h2>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n
\"\"<\/figure><\/div>\n\n\n\n

A Chronological Chart of Ancient, Modern and Biblical History<\/em>, 1871 (second edition, published 1876)
Color lithograph
Printed by Strobridge & Co. Lith.
Special Collections, Burke Library, Hamilton College<\/p>\n","protected":false},"excerpt":{"rendered":"

Spring 2020 The students were particularly inspired by the following pieces at the 2020 Wellin SUM exhibit. These pieces opened their eyes to the many ways in which elements of social systems can be visually represented in creative ways through different fonts, graphs, maps, collages, annotated images, and other media. Jennifer Dalton To Whose Opinions […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-templates\/page_fullwidth.php","meta":{"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"yoast_head":"\nSUM Artists: Visual Diagrams & Systems-Based Explorations - Sharing Sociology<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/soc.hamiltonlits.org\/sharingsociology\/artists\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SUM Artists: Visual Diagrams & Systems-Based Explorations - Sharing Sociology\" \/>\n<meta property=\"og:description\" content=\"Spring 2020 The students were particularly inspired by the following pieces at the 2020 Wellin SUM exhibit. 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